There is no combat, no mindless action, just a pure, gun-filled killing spree in which Bobby shines in every scene. He has almost single-handedly brought this outmoded script to life by portraying a merciless killer in all-perfect manners. The film is truly boosted by Bobby Deol's ferocious performance. Watch out for those prey-hunting chase sequences where she gathers almost everything needed for the character. Sanya Malhotra looks gorgeous as a newly wedded bride, but what's more interesting is how she switches that happiness into fear. Not only does he have well-trimmed hair and a beard, but his expressions also speak volumes. He isn't sure about leaving the bad business behind and taking a good life forward, and Vikrant showcases this confused and unstable character very well. Love Hostel has Vikrant Massey playing a complex character. What happens when the newly married couple faces the merciless killer several times and who wins the race at the end? Find out all the answers in Love Hostel. The decision puts them in danger as they are now being hunted by Dagar ( Bobby Deol), a ruthless mercenary who will stop at nothing until his mission (or social work, as he describes it) is completed. They have decided to spend the rest of their lives together, despite the disapproval of family members. In the first scene, we see Ashu ( Vikrant Massey) and Jyoti ( Sanya Malhotra) getting married. Don't bother guessing that one is Hindi and one is Muslim it's too mainstream, I mean. The film is about love birds belonging to different casts. Love Hostel was supposed to be a love story surrounded by dangerous conflict, but instead it became more of a crime thriller with extreme levels of violence. ZEE5's latest release, Love Hostel, is nothing else but the same old story with a modernised version of violence, while it also adds the mandatory abusive words and vulgarity for the OTT audience. IT has to be there. Then recently we had the sensational Sairat (2016), directed by Nagraj Manjule, which copied the same syllabus to write a new book of realistic cinema. In the 80s, we had Ek Duje Ke Liye, Qayamat Se Qayamat Tak and in the 90s, there was Dil to show us the modern definition of love with the same old formulas. Sometimes it was an honour killing issue, sometimes a tragic ending, but as a whole, we know those formulas. Two love birds, madly in love with each other, are on the run to save themselves from the family members who are against their love. Not taking you way back to the 60s and 70s, but just remember those love stories and those formulas made in the 80s.
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December 2022
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